Bibliographie
Apaza Suca, N., Komarek, K., Llanque Chana, D. and Ochoa Villanueva, V., Diccionario aymara-castellano. Arunakan liwru aymara-kastillanu, Lima/Puno, Proyecto Experimental de Educación Bilingüe, 1984.
Arnold, Denise Y. and Espejo, Elvira “The intrusive k’isa : Bolivian struggles over colour patterns and their social implications”, World Art, 2012, vol. 2-2, p. 251-278.
Arnold, Denise Y. and Espejo, Elvira, Ciencia de tejer en los Andes : estructuras y técnicas de faz de urdimbre, La Paz, Fundación Albó, 2012.
Arnold, Denise Y. and Yapita, Juan de Dios, Río de vellón, río de canto. Cantar a los animales, una poética andina de la creación, La Paz, Universidad Mayor de San Andrés, 1998.
Bertonio, Ludovico, Vocabulario de la lengua aymara, La Paz/Cochabamba, Ceres, 1984 [1612].
Birren, Faber, A grammar of color : a basic treatise on the color system of Albert H. Munsell, New York, Van Nostrand Reinhold, 1969.
Bugallo, Lucila, “Wak’as de la puna jujeña. Lo fluido y lo fino en el diálogo con Pachamama”, in Lucila Bugallo and Mario Vilca (dir.), Wak’as, diablos y muertos : alteridades significantes en el mundo andino, in press.
Cason, Marjorie and Cahlander, Adele, The art of Bolivian highland weaving, New York, Watson-Guptill Publications, 1976.
Cereceda, Verónica, “Aproximaciones a una estética andina : de la belleza al tinku”, in Javier Medina (ed.), Tres reflexiones sobre el pensamiento andino, La Paz, Hisbol, 1987, p. 133-231.
Coffey, Amanda, The ethnographic self : fieldwork and the representation of identity, London, Sage, 1999.
Dransart, Penelope, Earth, water, fleece and fabric: an ethnography and archaeology of Andean camelid herding, London, Routledge, 2002.
Dransart, Penelope, “Coloured knowledges : vision and the dissemination of knowledge in Isluga, northern Chile”, in Henry Stobart and Rosaleen Howard (dir.), Knowledge and learning in the Andes, Liverpool, Liverpool University Press, 2002, p. 56-78.
Dransart, Penelope, “Mysteries of the cloaked body : analogy and metaphor in concepts of weaving and body tissues”, Trivium, 2007, vol. 37, 161-187 [on line], consulted February 26 2014, URL : https://www.academia.edu/288294/Mysteries_of_the_cloaked_body_analogy_and_metaphor_in_concepts_of_weaving_and_body_tissues
Gage, John, Colour and culture : practice and meaning from antiquity to abstraction, London, Thames and Hudson, 1993.
Goethe, Johann Wolfgang von, “Naturwissenschaftliche Schriften, I”, Goethes Werk in 14 Bänden, Hamburger Ausgabe, 9th edition, vol. 13, Hamburg, 1981
Hill, Jonathan D. “Myth, spirit naming, and the art of microtonal rising : childbirth rituals of the Arawakan Wakuénai”, Latin American Music Review / Revista de Música Latinoamericana, 1985, vol. 6-1, p. 1-30.
Howard, Luke, The climate of London: deduced from meteorological observations, made in the metropolis and various places around it, 2nd edition, London, Harvey and Darton, 1833.
Itten, Johannes, The elements of color : a treatise on the color system of Johannes Itten based on his book the art of color, translated E. van Hagen, New York, Van Nostrand Reinhold, 1970.
Lévi-Strauss, Claude, Introduction to the work of Marcel Mauss, translated Felicity Baker, London, Routledge, 1987 [1950].
Lévi-Strauss, Claude, The raw and the cooked. Introduction to a science of mythology : I, translated John and Doreen Wightman, London, Jonathan Cape, 1970.
Lévi-Strauss, Claude, Tristes tropiques, Paris, Plon, 1993 [1955].
Lucca, Manuel de, Diccionario práctico aymara-castellano, castellano-aymara, La Paz/Cochabamba, Editorial Los Amigos del Libro, 1987.
McNelly “Natives, women and Claude Lévi-Strauss : a reading of Tristes tropiques as myth”, The Massachusetts Review, 1975, vol. 16, p. 7-29.
Martíñez, Gabriel, “El sistema de los uywiris en Isluga”, Anales de la Universidad del Norte (Homenaje al Dr Gustavo Le Paige S.J.), 1976, vol. 10, p. 255-327.
Merriam-Webster, Dictionary, Encyclopedia Britannica, [available from internet], consulted on February 24 2014, URL : http://www.merriam-webster.com/dictionary
Petitot, John, “Morphology and structural aesthetic : from Goethe to Lévi-Strauss”, in Boris Wiseman (dir.), Lévi-Strauss, anthropology, and aesthetics, Cambridge, Cambridge University Press, 2009, p. 275-295.
Phipps, Elena, “‘Tornesol [sic]’: a Colonial synthesis of European and Andean textile traditions”, Textile Society of America Symposium Proceedings, Paper 834, 2000, p. 221-230.
Rowe, Anne P., Warp-patterned weaves of the Andes, Washington D.C. : The Textile Museum, 1977.
Simpson, J.A. and Weiner, E.S.C., The Oxford English dictionary, second edition, Clarendon Press, Oxford, 1989.
Stephenson, R.H., Goethe’s conception of knowledge and science, Edinburgh, Edinburgh University Press, 1995.
Stobart, Henry, Music and the poetics of production in the Bolivian Andes, Aldershot, Hants, Ashgate, SOAS Musicology Series, 2006.
Taussig, Michael, What color is the sacred ? Chicago and London, University of Chicago, 2009.
Torres Rubio, Diego de, Arte de la lengua aymará, Lima, Concilio provincial, 1616.
Wiseman, Boris, “Structure and sensation”, in Boris Wiseman (dir.), The Cambridge companion to Lévi-Strauss, Cambridge, Cambridge University Press, 2009, p. 296-314.
Worley, Sharon Joy, “Philipp Otto Runge and the semiotic language of nature and patriotism”, The European Legacy, 2010, vol. 15, p. 15-33, [on line] uploaded January 26, 2010, consulted on March 27, 2010. URL : http://dx.doi.org/10.1080/10848770903516196
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Notes
Stephenson, R.H., Goethe’s conception of knowledge and science, Edinburgh, Edinburgh University Press, 1995.
Goethe, Johann Wolfgang von, Preface to Theory of Colours, as cited in Stephenson, Goethe’s conception of knowledge, 49-50, in his translation from Goethe’s Hamburger Ausgabe Vol 13 : 351.
For a description of such weaves, see Cason, Marjorie and Cahlander, Adele, The art of Bolivian highland weaving, New York : Watson-Guptill Publications, 1976. Anne Pollard Rowe used the following terms for them : “complementary-warp weave with three-span floats aligned in alternate pairs” ; Rowe, Anne P., Warp-patterned weaves of the Andes, Washington D.C., The Textile Museum, 1977, p. 70 and fig. 80. In contrast, Elvira Espejo termed them “conteo por par, 2/2” ; Arnold, Denise Y. and Espejo, Elvira, Ciencia de tejer en los Andes : estructuras y técnicas de faz de urdimbre, La Paz, Fundación Albó, 2012, p. 203-226.
Dransart, Penelope, “Coloured knowledges : vision and the dissemination of knowledge in Isluga, northern Chile”, in Henry Stobart and Rosaleen Howard (dir.), Knowledge and learning in the Andes, Liverpool, Liverpool University Press, 2002, p. 56-78.
Merriam-Webster, Dictionary, Encyclopedia Britannica, [available from internet], consulted on February 24 2014, URL : http://www.merriam-webster.com/dictionary/saturation
Taussig, Michael, What color is the sacred ? University of Chicago, 2009, p. 235 [emphasis in the original].
Lévi-Strauss, Claude, The raw and the cooked. Introduction to a science of mythology : I, translated John and Doreen Wightman, London, Jonathan Cape, 1970, p. 320-21.
Lévi-Strauss, The raw and the cooked, p. 47.
Cereceda, Verónica, “Aproximaciones a una estética andina : de la belleza al tinku”, in Javier Medina (dir.), Tres reflexiones sobre el pensamiento andino, La Paz, Hisbol, 1987, p. 133-231.
As a visual phenomenon, a k’isa serves as a homology to aural sensation in a microtonal rising. See Hill, Jonathan D. 1985. “Myth, spirit naming, and the art of microtonal rising : childbirth rituals of the Arawakan Wakuénai”, Latin American Music Review / Revista de Música Latinoamericana 6-1, p. 1-30, and Stobart, Henry, Music and the poetics of production in the Bolivian Andes, Aldershot, Hants, Ashgate, SOAS Musicology Series, 2006, p. 113.
Arnold, Denise Y. and Espejo, Elvira “The intrusive k’isa : Bolivian struggles over colour patterns and their social implications”, World Art, 2012, vol. 2-2, p. 251-278.
On the epistemologically productive strategy in which the researcher recognizes herself as being an individual as well as being the means through which the research is conducted, see Coffey, Amanda, The ethnographic self : fieldwork and the representation of identity, London, Sage, 1999, p. 37.
Lucca, Manuel de, Diccionario práctico aymara-castellano, castellano-aymara, La Paz/Cochabamba, Editorial Los Amigos del Libro, 1987, p. 146.
Arnold, Denise Y. and Yapita, Juan de Dios, Río de vellón, río de canto. Cantar a los animales, una poética andina de la creación, La Paz, Universidad Mayor de San Andrés, 1998, p. 198.
Arnold, Denise Y. and Yapita, Juan de Dios, Río de vellón, p. 231.
Simpson, J.A. and Weiner, E.S.C., The Oxford English dictionary, second edition, Clarendon Press, Oxford, 1989, vol. X, p. 425.
Howard, Luke, The climate of London : deduced from meteorological observations, made in the metropolis and various places around it, 2nd edition, London, Harvey and Darton, 1833, p. li.
Dransart, Penelope, “Mysteries of the cloaked body : analogy and metaphor in concepts of weaving and body tissues”, Trivium, 2007, vol. 37, p. 161-187 [on line], consulted February 26 2014, URL : http://www.academia.edu/288294/Mysteries_of_the_cloaked_body_analogy_and_metaphor_in_concepts_of_weaving_and_body_tissues
Phipps, Elena, “‘Tornesol [sic]’ : a Colonial synthesis of European and Andean textile traditions”, Textile Society of America Symposium Proceedings, 2000, Paper 834, p. 221-230.
Phipps, “Tornesol”, p. 222.
“Coloured/reddened, brilliant and spherical” ; Martíñez, Gabriel, “El sistema de los uywiris en Isluga”, Anales de la Universidad del Norte (Homenaje al Dr Gustavo Le Paige S.J.), 1976, vol. 10, p. 255-327.
Apaza Suca, N., Komarek, K., Llanque Chana, D. and Ochoa Villanueva, V., Diccionario aymara-castellano. Arunakan liwru aymara-kastillanu, Lima/Puno, Proyecto Experimental de Educación Bilingüe, 1984, p. 108.
Lévi-Strauss, The raw and the cooked, p. 265.
McNelly “Natives, women and Claude Lévi-Strauss : a reading of Tristes tropiques as myth”, The Massachusetts Review, 1975, vol. 16, p. 7-29 ; Wiseman, Boris, “Structure and sensation”, in Boris Wiseman (dir.), The Cambridge companion to Lévi-Strauss, Cambridge, Cambridge University Press, 2009, p. 296-314.
Lévi-Strauss, Claude, Tristes tropiques, Paris, Plon, 1993 [1955], p. 137 [my translation].
Lévi-Strauss, The raw and the cooked, p. 19. R.H. Stephenson thought that Goethe’s writing had “formalistic overtones” in the way he (Goethe) discussed morphology and that it misled Lévi-Strauss into regarding it as a “precursor of structuralism” (Stephenson, Goethe’s conception of knowledge, p. 1). But John Petitot has traced two naturalist traditions, in which growth and form are treated in a dynamic manner, that link Goethe with Lévi-Strauss. This view is in contrast to the conventional perspective, according to which structuralism is said to be the outcome of a formalist tradition (Petitot, John, “Morphology and structural aesthetic : from Goethe to Lévi-Strauss”, in Boris Wiseman (dir.), Lévi-Strauss, anthropology, and aesthetics, Cambridge, Cambridge University Press, 2009, p. 275-295.
Taussig, Michael, What color is the sacred ? Chicago, The University of Chicago Press, 2009, p. 6 and 54.
Lévi-Strauss, Claude, Introduction to the work of Marcel Mauss, translated Felicity Baker, London, Routledge, 1987 [1950], p. 54.
Taussig, What color is the sacred ? p. 225.
Arnold and Espejo, “The intrusive k’isa”, p. 263.
Arnold and Espejo, “The intrusive k’isa”, p. 261-2.
Worley, Sharon Joy, “Philipp Otto Runge and the semiotic language of nature and patriotism”, The European Legacy, 2010, vol. 15, p. 15-33, [on line] uploaded January 26, 2010, consulted on March 27, 2010. URL : http://dx.doi.org/10.1080/10848770903516196
Birren, Faber, A grammar of color : a basic treatise on the color system of Albert H. Munsell, New York : Van Nostrand Reinhold, 1969, p. 24-25.
Birren, Grammar of color, p. 44-5.
Arnold and Espejo, “The intrusive k’isa”, p. 263.
Itten, Johannes, The elements of color : a treatise on the color system of Johannes Itten based on his book the art of color, translated E. van Hagen, New York, Van Nostrand Reinhold, 1970, p. 17.
Here I have to declare an interest. I was introduced to this exercise when as a student at art school in Scotland during the 1970s.
Itten, The elements of color, p. 54.
Itten, The elements of color, p. 54.
Arnold and Espejo, “The intrusive k’isa”, p. 263, Figure 4.
He gave rojo and vermejo as the Spanish glosses ; Torres Rubio, Diego de, Arte de la lengua aymará, Lima, Concilio provincial, 1616, p. 62v and 92r. Nowadays people restrict the term to the cinnamon-brown of alpaca fleece or the back of a vicuña.
Torres Rubio, Arte, p. 50r. A similar nexus also appears in Bertonio, Ludovico, Vocabulario de la lengua aymara, La Paz/Cochabamba, Ceres, 1984 [1612], p. 417.
Gage, John, Colour and culture : practice and meaning from antiquity to abstraction, London, Thames and Hudson, 1993, p. 26.
Gage, Colour and culture, p. 52.
Lévi-Strauss, The raw and the cooked, p. 280
Lévi-Strauss, The raw and the cooked, p. 280-1.
Lévi-Strauss, The raw and the cooked, 280-281.
Dransart, “Coloured knowledges”, 64.
The use of “aborrecer” in the sense of “enfermarse” has also been noted in the Spanish of Quechua speakers by Bugallo, Lucila, “Wak’as de la puna jujeña. Lo fluido y lo fino en el diálogo con Pachamama”, in Lucila Bugallo and Mario Vilca (eds), Wak’as, diablos y muertos : alteridades significantes en el mundo andino, in press.
Dransart, Penelope, Earth, water, fleece and fabric : an ethnography and archaeology of Andean camelid herding, London, Routledge, 2002, p. 273, n°15.
Taussig, What color is the sacred ? p. 41.
Taussig, What color is the sacred ? p. 234.
Lévi-Strauss, Introduction to Marcel Mauss, p. 34-5.
Lévi-Strauss, Introduction to Marcel Mauss, p. 54-5.
Taussig, What color is the sacred ? p. 234 ; Lévi-Strauss, Introduction to Marcel Mauss, p. 55.
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